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Rural Geometries Project

Award category
Reconnecting with nature
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NEW EUROPEAN BAUHAUS AWARDS: existing completed examples
Project title
Rural Geometries Project
Full project title
Rural Geometries Project - Rehabilitation of common natural and cultural heritage for Sándorfalva

Paradigma Ariadné architecture studio was invited by the city of Sándorfalva to design a buffalo barn and an educational trail into their natural protected land that today is wholly covered with reeds. The initial aim of the development was to immigrate buffalos to the place. This act has two outcomes. On one hand visitors would have the chance to visit the trail and meet these creatures in their living environment. On the other hand buffalos will recultivate the area with their presence.

What was the geographical scope of your project?
Csongrád Csanád County - Hungary
Does your project address mainly urban or rural issues?
Mainly rural
Does your project refer to a physical transformation of the built environment or other types of transformations?
It refers to a physical transformation of the built environment ('hard investment')
Has your project benefited from EU programmes or funds?
Which or fund(s)? Provide the name of the programme(s)/fund(s), the strand/action line as relevant and the year.

Interreg IPA-CBC - HUSRB/1602/31/0128


Has your project won an EU prize?
Your project is fully completed?
When was your project implemented?
How did you hear about the New European Bauhaus Prizes ?
Social media
On whose behalf are you submitting the application?
As a representative of an organisation
Please provide a summary of your project

Budapest based Paradigma Ariadné architecture studio was invited by the city of Sándorfalva to design a buffalo barn and an educational trail into their natural protected land that today is wholly covered with reeds. The initial aim of the development was to immigrate buffalos to the place. This act has two outcomes. On one hand visitors would have the chance to visit the trail and meet these creatures in their living environment. On the other hand buffalos will recultivate the area with their presence and turn the place into a lake and swamp again which is able to welcome hundreds of native species that were away thanks to the lack of open water surface.

While it was a design task on one hand, it was also a task to reinterpret the built environment in natural landscape on the other.

Concept wise this project is about the understanding of agricultural buildings of the Eastern European landscape trough the time of history. These buildings in the countryside are still a mixture of almost hundred years old regional architecture and contemporary industrialized technologies that qualities sometimes are clashed together in a very naïve way. While both kind of architecture includes big and simple geometries, that creates unique character in the landscape.

We tried to continue this quality with joyful geometrical composition in an organized way. We have defined a 500 meters long curved path with 500 meter radius, on which we placed few objects for observing the nature: one buffalo barn, three little installation to enjoy the landscape through framing it, and a viewpoint at the end. Thanks to the giant curved shape of the path these objects can be revealed in a direct order for the visitors, while the whole structure can be observed only from the viewpoint.

Please indicate the main themes of your project with 5 key words
Industrial Architecture
Rural Architecture
Please give information about the key objectives of your project in terms of sustainability (including circularity) and how these have been met.
Please highlight how the project can be exemplary in this context

Sándorfalva Rural Geometries project key objectives were to recultivate a land that is occupied by invasive species of reed. The place itself will be a swamp area again where several birds and other species can be live and to reproduce again year by year. In the condition as this place it is now the above mentioned species are cannot live their regular life. The other key objective was to recultivate the area in a sustainable way with the help of Buffalos who are natural creatures and can destroy the invasive reed without any extra harm to the surrounding natural life. The third pillar of the project was to introduce the whole recultivation process and its key elements to the wider public. That is why the barn of the buffaloes are accompanied by an educational trail, three hideaways and one belvedere, and that is why the barn itself can be visited by anyone. Through this infrastructure the habitants of the surrounding cities and villages and tourists as well are able to visit the area regularly and follow how the land will be transformed during the upcoming years.

Please give information about the key objectives of your project in terms of aesthetics and quality of experience beyond functionality and how these have been met.
Please highlight how the project can be exemplary in this context

Sándorfalva Rural Geometries project – as the name of it already refers to this – is an aesthetic investigation on the always changing aesthetical quality of the countryside and agricultural areas. The realized buildings itself represents architectural characters that refers to the historical building methods of shepherds of the land who were the key players in agricultural production ages before and also refers to the geometrical purity of the industrialized version of the agricultural production that dominates the European countryside today. Silos, long edifices and barns covered by corrugated metal sheets as eye can see, four legged objects to fill trains with seed. These were the visual imputs to find formal connections to the physical surrounding. This approach in its final stage show a new path for the architecture of the Hungarian countryside. A kind of architecture that proudly can be itself instead of simply coping and pasting international aesthetic innovations.

Please give information about the key objectives of your project in terms of inclusion (equal opportunities, public participation, citizen engagement, co-design, universal design, accessibility, affordability, etc.) and how these have been met.
Please highlight how the project can be exemplary in this context

This project is a prefect example how one person from all social strata can experience that every act of humanity is – sometimes radically – changes the environment. The endless field of reeds that the visitor nowadays can find in the place seems natural. In a way it is. But not original. The visitors can realize that most of our acts weights a lot in terms of the natural environment, even if they think they act for the nature, or they act has a little impact. In terms of this the visitors can experience that being part of the nature sometimes means being part of an always changing environment with the help of natural actors. To make it possible for all the participants to access to this knowledge trough experience, the whole area of the educational trail is accessible and free for everyone except the lookout tower, which is not accessible by wheelchair.

Please explain how these three dimensions have been combined in your project.
Please highlight how this approach can be exemplary

The project initial aim from the beginning was to make an inclusive and sustainable development on the Natura 2000 area of Sándorfalva. To serve this aim the municipality of Sándorfalva put together a concept of a truistical attraction that is introducing the natural qualities of the surrounding land around Sándorfalva and invite Buffalos to the land as a part of the attraction. The idea was that those people who will visit the area that is wholly covered with reeds will going to have the chance to see how Buffalos are changing the plot into an open water surface. The designers of Paradigma Ariadné studio were sure, that a small town like Sándorfalva only can be visible with a similar development if that development has high aesthetic quality and tries to renew the way how we think of a barn, of a trail, of a belvedere. Hence the architect of Paradigma Ariadné combined the functional needs and universal design with free geometrical composition and applied dimensions on every part of the development which led everyone to visit the site.

Please give information on the results/impacts achieved by your project in relation to the category you apply for

The project was visited by almost 30.000 visitor in one year which includes many primary school and high school students. Thanks to the architectural quality, it was mentioned in several architectural and non-architectural media in Hungary and in Europe like the British Architectural Review, the international Archdaily, the Hungarian Octogon Magazine, the Italian Domus Online, the Hungarian Forbes Online, the Hungarian Hype and Hyper and the Hungarian State Television. The project was also nominated for several prizes like the Slovanian based international Piranesi Award, for the international Building of the Year Award by Archdaily and for the Hungarian Architectural Prize of the Media. The most important media appearance from the above mentioned was the publication in The Architectural Review in which Hungarian architecture was not published since 1982. From this point of view this project is already a cornerstone in the international history of Hungarian Architecture.

Please explain how citizens and civil society were involved in the in the design and/or implementation of the project.
Please also explain the benefits that derived from their involvement.

The other key actor of the project next to the Municipality of Sándorfalva was from the civil society, the Mákszem Bivalyoskert Family Farm. Mákszem Bivalyoskert is the operating company on the site and they are who owns the Buffalos which are introduced to the public next to the trail. While legally Mákszem Bivalyoskert is a for-profit company their initial aim is to bring buffalos back to the Hungarian nature-friendly agricultural production, to the rural land, and turn the reappearance of buffalos into a sustainable and animal-friendly enterprise. In this way their activity is an irregular social entrepreneurship which effects on the society is indirect. First the way how the keep buffalos going to have positive impact on buffalos, then the presence of the buffalos going to have positive impact on the natural land, and finally the outcome of this impact going to have positive affect on those who visit this natural land or consume the meat of these creatures. Hence the way how Mákszem Bivalyoskert keep their animals is far away from industrialized animal husbandry. Therefore it was important from the beginning in the project to involve the founders of Mákszem Bivalyoskert into the design process. Hence the architect of Paradigma Ariadné consulted many times with the founders and visited and studied the existing barn of the company many times.

On the other hand, the legal restrictions to design edifices on a natural protected land are very strict, which restrictions the designers regularly consulted with the administration of National Park of Kiskunság. Hence there was little room to inviting any other citizens to the design process. While it is important to highlight that everyone who are stakeholder in the project had impact on it. The Municipality of Sándorfalva, The National Park of Kiskunság, The Mákszem Bivalyoskert Family Farm and Paradigma Ariadné design studio together managed the final outcome to make it sustainable, local, inclusive and beautiful.

Please explain what kind of global challenges the project addressed by providing local solutions

The appearance of invasive species is a global problem. The answer that the Rural Geometries project gives is a local one to a global problem, as the recultivation of the land is happening with aboriginal Buffalos which creatures are existed in the land before the radical change of the surrounding nature happened. They eat the reeds as they did it for centuries until we enclosed them to animal farms where their positive effect to the local natural environment become hidden and impactless. Therefore the solution is not only local, but has a historical root as well. From this point of view the project can be interpreted as a best practice project which can be distributed to other places to the globe where buffalos also disappeared from the countryside. This is that we wanted to highlight in the used materials as well which are not local as we originally wanted but came from a close part of Europe to this land, from a neighbour country of Slovenia. On the other hand, this project also innovates the local building techniques, or so to say mixing the local and global. We wanted to avoid using any chemical product to protect the timber structure therefor finally we decided to use a Japan wood protection technique – the well called shou-sugi ban with the help of local actor – actually the local butcher – who had a local toolset to produce the burned timber pieces with which we covered the buildings, with gas fuelled flame thrower. As third way how this project is answer for global problems lays in the open water surfaces which will came to life thanks to the change of the area. Open water surface means more vapor means more effective cooling which is also a positive outcome that helps to radically decrease the numbers of the mosquitoes due the new species which are mostly those birds who hunt for mosquitoes.

Please highlight the innovative character of the project as compared to mainstream practices in the field of the project.

General educational trails in the European landscape are lack of aesthetical innovation which is a core activity of the Paradigma Ariadné studio who were responsible for the project on the design side. They are in search for the innovation of aesthetic qualities with bearing in mind that beauty cannot exist without functionality, inclusivity, historical, and universal design aspects. Therefor the Rural Geometries project not applies aesthetic for its own purpose, but for interpretation and education on an architectural level. The designers of Paradigma Ariadné convinced that any built intervention in natural land is artificial. Anyone can fake naturality, but that outcome cannot race with real nature. Hence the designers from the beginning of the project wanted to apply huge geometrical composition as an ultimate tool of representation of human existence on earth. Geometry exists in nature, but not on a perfect way. The designers at Rural Geometries project applied almost complete and mathematically perfect compositions, which strictly creates the boundaries between the built and natural. This approach differs from the approach of mainstream practices who designs natural trails in national parks, the geometry they apply are mostly imperfect to fit to the natural environment. Paradigma Ariadné wanted to avoid imperfection on big scale. We felt this could be an instructive tool to help the visitors understand the wight of human touch on natural land. While in the details the project has a very handmade taste that finally creates a non-alienating atmosphere for the whole project. These two aspect of aesthetics really creates links to the built environment was created by shepherds in 19th century.

Please explain to the potential of transferring the projects’ results or learnings to other interested parties and contexts.
Please provide clear documentation, communication of methodology and principles in this context.

This project is perfect example for those villages who are searching for tourist attraction and would increase they sustainability and their relation to the natural environment in they are exists. On the first hand this means the closest environment of Sándorfalva which has many neighbour villages in the pretty same situation as Sándorfalva is. For this reason the Municipality of Sándorfalva organized a conference to transfer the knowledge which was gained trough this projects. Mákszem Bivalyoskert Family Farm also take huge part to introduce this project as a best practice in terms of collaborations between a social entrepreneurship and a Municipality. They organizing regularly visits to the place where they introduce the whole project and the positive outcome of the presence of the buffalos. These events are visible through the Mákszem Bivalyoskert Family Farm social channels as they are also available on facebook, where they have more than 2300 followers, trough that channel they also spread the outcome of this project.

Is an evaluation report or any relevant documentation available?
If you would like to upload additional documentation, please upload it or write it below

One uploaded files are the documentation of the plans, sections and elevations of the project. The other is the publication that was published in The Architectural Review with the text of Dániel Kovács art historian. That article introduces the project in depth.

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